Monday, October 29, 2012


Say/Do Artifact #7
Enacting Response
Wilhelm, J. D. (2004). Reading is Seeing. Scholastic Professional Books.
Reading is Seeing is a large collection of various strategies for introducing visualization into the classroom. Wilhelm’s overarching goal is for teachers to recognize the importance of using visualization in the classroom. As we previously discussed in relation to graphic novels, visuals can help “visual learners” to grasp material more easily. It can also bridge the reading gap for students with lower reading capabilities. Furthermore, it can enhance learning for successful students. When students are given the opportunity to express what they have learned through visuals, they may experience greater success. Many of the activities in this book aim to improve students’ ability to visualize readings. Teachers can scaffold students into visualizing text through the use of actual visuals in the classroom, and by having students work with visuals.
            On a final note, I appreciate the way the author’s ideas tie strongly to Common Core standards. Using a wide range of technology and multimedia is an important component of teaching, and Wilhelm gives numerous suggestions for using technology in the classroom (an obvious limitation on this is the year the book was published). One topic in the book that really interested me was the concept of helping students to visualize informational texts. Wilhelm writes, “Even nonfiction books that deliver many facts are often represented in our memories by visuals that typify the character of a person behind the facts or a person who might use the information.” Not only does visualizing text help students to understand the happenings in fiction, but it has real-world applications in helping to acquire practical knowledge.
            Wilhelm’s strategies could definitely help in my placement at Ridge View High. The class period I teach in is English IV, “regular”. Some students are having difficulty visualizing the events of the novel. This is certainly complicated by Shelley’s lofty descriptions of nature.
            For my “do”, I decided to help students organize the relationship between characters with a  character map.



Sunday, October 21, 2012

Say/Do Artifact #6: Book Clubs


            Say/Do Artifact #6
Book Clubs

“Say”
From a pragmatic perspective, Pathways to the Common Core reminds us that instructors should act as facilitators for learning, and not as mere dispensers of knowledge. I am impressed by the number of speaking and listening standards that book clubs easily cover. Book clubs require students to have a grasp of the material at hand in order for them to engage in meaningful discourse. Such discussion can also help students to understand text through new perspectives (or, perhaps, through students of higher reading levels). Both of these points help students to take agency of their own learning; they also follow in line with the concept of teachers acting as facilitators.
            The authors of Pathways… also emphasized the manners in which technology can enhance and expand class discussion. In “Digital Literacies”, Scharber delves particularly into the benefits of online book clubs. For one, she notes that students love to socialize. This drive can be directed in productive ways, through these clubs. Reading should not be a solitary activity. Lapp and Fisher’s “It’s All About the Book” states that “(students) become much less reluctant to read… (when they) ha(ve) peer support to read, think, (and) share”. This social element can motivate students to participate.
One complaint I have, however, is her lack of specificity in how an online book club would be organized. Generating enthusiasm for reading is vital, but I need some sort of assessment to determine that students are making progress. The “Observation Checklist” from Whang and Samway is a great concept for assessing such work. Skimming through Scharber’s “online chat room” dialog, I fail to see how this helps students to make progress. Outside of class, I would absolutely endorse an informal activity such as participating in online chat rooms. However, my ideal “online book club” would be more structured. The authors of “Mini-Lessons for Literature Circles” provide more ideas for assessing progress in book clubs. The most important thing to keep in mind from this article is student expectations should be modeled.
In “Wiki Literature Circles”, Edmonson echoes previous authors by touting the benefits of using technology to facilitate learning. As the title implies, she is a proponent of Wikis. I agree that Wikis are powerful tools for fostering an interpretive community. As a bit of a digression, I feel like the “class groups” system may be overly divisive; I want to be sure to encourage class-wide interpretation as well.

 “Do”
            For my “Do”, I am beginning a class Wiki for my placement at Ridge View High. I am starting it with just one prompt, but we will continue to build on it with weekly activities. I will have students respond to the work of partners. I will scaffold the response process in class tomorrow.



Lesson Plan

Instructor And Room #:
Mr. Nuzum
A5
Date & Length:
 10/22
30-40 minutes

Subject and Block/Period:
English IV
Topic:
Frankenstein –Introduction to Online Interpretive Community
Student Objectives:

       Students will

-          Begin participating in an online interpretive community.
-          Determine how the events of chapter 13 of Frankenstein tie to overarching themes of the novel.
-          Produce a creative work from the perspective of a key character in Frankenstein.

Common Core

-          RL.10.2: Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

-          W.9-10.4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.

-          SL.9-10.1:Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9–10 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.
Items to Display as Agenda: 

-          Wikispaces Start-up
-          Online Prompt
-          Discussion
-          Homework: Respond to a Partner

Purpose:
-          While this lesson only introduces Wikispaces to students and has them respond to one partner, I would like to gradually develop the class Wiki into a resource that students can return to. Through the creative response prompt on the class Wiki, students will connect to the work, learn/reinforce the events of chapter 13, and determine how the events of this chapter relate to the overarching theme of alienation.

Lesson Procedures:

-           Students will first find and logon the Chrome Netbooks. I will walk students through the process of making a Wikispaces account, using their school Gmail accounts. If Wikispaces is blocked by the school, I will adapt the activity for Edmodo.
-          For their first post on Wikispaces, students will respond to a prompt, related to Frankenstein. Students will copy and paste the prompt onto their own Wikispaces page, and answer it. They will post a link to their Wikispace on the class Wikispace at http://nuzum-handenglishiv.wikispaces.com/English+IV+10-22.
-          If time allows, we will have a brief discussion about the prompt. If students would like to share answers with the class, they may.
-          For homework, students will be expected to respond to a (teacher-assigned) partner’s post. To promote meaningful response I will model this process in class.
Assessments and Assignment:

-          I will check if students have created Wikispaces accounts. After class, I will check if they completed the prompt, as well as partner responses.
-          Throughout class, I will check if students are on-task.


Sunday, October 14, 2012

Say/Do #5: Fostering Talk Around Literature II


Say/Do #5
Fostering Talk Around Literature II
Black, A & Stave, A. M. (2007). A comprehensive guide to readers theatre: Enhancing fluency and comprehension in middle school and beyond. In An introduction to readers theatre (pp. 3-18). Newark: International Reading Association.

Black, A & Stave, A. M. (2007). A comprehensive guide to readers theatre: Enhancing fluency and comprehension in middle school and beyond. In Developing the performance (pp. 34-49). Newark: International Reading Association.

 Milner, J., Milner, L., & Mitchell, J. (2012). Bridging English, Developing an oral foundation (pp.90-101). (5th ed.) Boston, MA: Pearson.

“Say"
             As last week introduced Socratic Circles, this week we read about Readers Theater. Like Socratic Circles, Readers Theater is an excellent activity to meet “speaking and listening” standards. In Chapter 1 of “A Comprehensive Guide to Readers Theatre”, the authors introduce the concept of Readers Theater as one answer to the problem of illiteracy. Readers Theater allows students to see text “come to life”. They point out that the activity teaches students to “read” into performances, to learn more about the text. In a similar manner to the ways in which visual literacy (for example, through graphic novels) can bridge the gap for students with trouble reading, oral performances can help these students. In Bridging English, Milner & Milner reminds us that thought is inextricably tied to language. Teaching students to analyze language beyond text is an essential part of any English classroom.  Readers theater is an interpretive activity, giving students a chance to act out their own interpretations of a work. Through rehearsals and performance, they can learn more about a text.
Chapter 3 of Black’s & Stave’s work is dedicated to delving into the specifics of how Readers Theater performances should be developed. The most interesting component of developing these performances to me is the matter of choosing an audience. Indeed, Readers Theater should be an inclusive activity. Amongst other audiences, members of school faculty, family members, other classrooms should be involved.
Readers Theater sounds like it would engage students, but I would be wary about using it incorrectly. While “performing” text can be helpful, it can also cause students to shift their focus from the importance of interpreting and understanding text to the performance aspect of it. Of course, some preparation is required for Readers Theater; students must understand text in order to accurately portray it. For this reason, it is most likely a waste of time to engage a text for the first time with Readers Theater. Furthermore, I would definitely ensure that students are actually benefiting from such activities, and are not merely entertaining themselves.           

Sunday, October 7, 2012


Say/Do- Week 3
Formal Analysis
Robert Hand
EDSE 786
Styslinger
10/08/2012
Say/Do: Formal Analysis
Say:
In Pathways to the Common Core, the authors state that a specialized curriculum for “speaking and listening” is not required. The authors seem to view that portion of the Common Core dismissively. This is understandable; any lesson plan I ever create – perhaps outside of a workshop – will include speaking and listening. It is impossible to build an interpretive community without doing so.  In “The Chicken and the Egg”, Styslinger and Pollock further describe how Socratic circles give students opportunities to respond to text. They can simultaneously build upon the class interpretive community and allow students to respond to literature. Despite the student-centered pacing of classroom discussion in a Socratic circle, it is a highly efficient way of approaching literature.
Copeland’s Socratic Circles expounds upon the worth of Socratic circles. Just as we focus on teaching writing over assigning writing, we want to teach students how to learn from literature. Our goal should be to help them become avid readers. A proper interpretive community gives students opportunities to truly engage with text; a teacher-led class session involving only guiding questions is a façade of discussion. Probst points out that student answers should not be evaluated during  the discussion. Indeed, it is suggested that teachers only participate rarely. Through Socratic circles, students’ voices are valued and students are given opportunities to be creative. Obviously, they are better methods of engaging students.
            The authors of Adolescent Literacy describe how having students participate via authentic class discussions (versus recitations) helps to maintain high standards for students. I already agree with and practice much of what is said in the chapter, but it is good reinforcement. The authors discuss what kind of talk constitutes valuable classroom discussion. Debates are too rigorously structured and competitive. A “bull session” is essentially an informal discussion, and is usually inappropriate for students. Clearly , teachers should strike a balance by preparing  students  for discussion. Through synergistic texts, annotating texts, and freewriting, students can prepare to engage in more thoughtful discussion. With this preparation, students could engage in a Socratic circle. A Socratic circle is a good balance of student input and constructive guidance.
Do:
The following is a modified lesson plan to include a Socratic circle.



Lesson Plan
Instructor And Room #:
Mrs. Lee
Green Hall
Date & Length:
 9/28
60 minutes

Subject and Block/Period:
ELA 3 & 4 period
Topic:
Harlem & An Introduction to Walter Dean Myers’s Bad Boy
Student Objectives:

       Students will

-          Determine the central idea behind a poem and a news article, synthesizing a basic understanding about social inequality and conflict in Harlem.

-          Understand new vocabulary words, related to social inequality and conflict resolution.

-          Discuss personal connections and findings supported by evidence for both works.

-          Begin reading Bad Boy, a work by Walter Dean Myers.

Common Core


-          RL.8.4: Determine the meaning of words and phrases as they are used in a text, including analogies or allusions to other texts; analyze the impact of specific word choices on meaning and tone.
-          RL.8.5: Compare and contrast the structure of two or more texts and analyze how the differing structure of each text contributes to its meaning and style.
-          RI.8.2: Determine a central idea of a text and analyze its development over the course of the text, including how it is conveyed through particular details; provide an accurate summary of the text distinct from personal opinions or judgments.
-          SL.8.1: Engage effectively in a range of collaborative discussions (one-on-one and in groups) on grade 8 topics, texts, and issues, building on others’ ideas and expressing their own clearly
Items to Display as Agenda: 
-          Admit Slip: “Harlem”
-          Article: “Commerce and Conflict…”
-          Socratic Circle
-          Introduction to Bad Boy
Purpose:
-          In my previous lesson, I stressed the importance of setting on character development. In this lesson, I will preface Bad Boy with an introduction to Harlem. By giving students an idea about the social inequality and racism in Harlem, I will prepare students to see how such a setting has an impact on Myers in his memoir. Ultimately, this will help them to make more meaning of the work. Interpreting settings and how they impact people is an important real-world skill.
Lesson Procedures:

-          Students will log on to Edmodo and access “Admit slip” based on Langston Hughes’s “Harlem”. We will read through the poem once as a class. Students will then independently reread the poem, and write their reactions to it by answering the questions on the admit slip.

-          I will ask students to share their reactions to the poem, and we can begin discussing it.

-          After a brief discussion, I will have students access the edited version of “Commerce and Conflict Resolution in Harlem” article on Edmodo. We will read the entire article through as a class. I will pause after paragraphs containing bold words (words that students may be unfamiliar with), in order to give definitions as needed. I will briefly re-summarize the article and ask students to skim through the article again, and to highlight what they consider to be the most important sentence in the article. Students will share these, and we will discuss our findings.

-          Socratic circle -  opening question: Highlight the similarities between Hughes’s “Harlem” and the article. How do they give each other meaning?

-          Introduce Bad Boy. Explain that the memoir takes place in Harlem, and that this setting has a major impact on the narrator.

-          Have students access supplementary graphic organizers on Edmodo. Explain the purpose of these documents and – if time permits – allow students to begin reading.
Assessments and Assignment:
-          I will ask students to e-mail me their Admit Slips, and I will frequently make informal checks for student participation.


Admit Slip
“Harlem”
By Langston Hughes

What happens to a dream deferred?

      Does it dry up                              
      like a raisin in the sun?                             
      Or fester like a sore—                  
      And then run?                  
      Does it stink like rotten meat?
      Or crust and sugar over—
      like a syrupy sweet?

      Maybe it just sags
      like a heavy load

Or does it explode?

_______________________________________________________________________
1.      Write down your first impressions of this poem. How does Langston Hughes’s language make you feel?


2.      What do you think the narrator means by a “dream deferred”?


3.      The title of this poem is “Harlem”. What do you know about Harlem? How do you think the narrator feels about Harlem?

________________________________________________________________________

 Commerce and Conflict Resolution in Harlem
By Linda Stamato (edited)
This article was first published in Peace Review 9:3 (1997), 399401
On December 8, 1995, a street vendor, Roland Smith, Jr., entered Freddy's, the discount clothing store on 125th Street in Harlem that he, along with many others, had been picketing for several weeks. He fired a gun, killing several people. He doused the store with a flammable liquid and ignited it. In all, eight people died, including Smith. Others were injured and the store was ruined.
Why did this tragic event happen? It arose from an argument between a Jewish landlord and his African-American tenant. It happened when the tenant's lease renewal was denied, and he sought to reverse that decision. But the roots of the clash lie deeper, embedded in historic resentments, racial and class conflicts, the disappearance of jobs, and political struggles in the community.
To avoid repeating its mistakes, we study history. Even now, the Harlem tragedy allows us to learn. How can the community manage its differences so that competing visions do not explode in violence?
We should revisit what happened in Harlem in the weeks before this tragedy, not only to understand what really took place there, but also to learn what this history exposes. Generations of peoples, Jews and African-Americans among them, have owned and operated stores on 125th Street. Some failed, others have succeeded; some left, others have stayed on. Harlem's stories have been mostly invisible. One of these struggles to succeed would have otherwise remained invisible, too, had Fred Harari -- wanting to expand his business,  Freddy's, not tried to evict Sikhulu Shange.
Shange had been operating Record Shack for two decades, in a space he rented from Harari in a building owned by the “United House of Prayer for All People”, a Pentecostal Church. A series of demonstrations, accompanied by anti-white and anti-Jewish diatribes against Jews in general and Mr. Harari in particular, exploded on that day in December when Smith eventually walked into Freddy's and started shooting.
Why did this tragic event occur? Why didn’t they talk through their differences? Before and during the protests, which began in early November 1995, Shange requested mediation, as well as community support for retaining his lease. As a community fixture for 20 years, Shange had many backers.
But the street protests were also joined by those with political ends, and by those who were Freddy's economic competitors: Morris Powell, a store owner and head of the 125th Street Vendors Association, led the protests not only at Freddy's but also down the street at Bargain World. As an African-American, his call to "buy black" reflects more than simply racial interests. Even after the fire and deaths at Freddy's, for example, Powell led, as scheduled, the protest outside Bargain World, which the Rosen family owned for several generations. Shange discovered that some people wanted to fuel the dispute rather than resolve it. Others, less directly interested and reluctant to "interfere," either watched from the sidelines or looked the other way. Shange received no offers of mediation.
Investigative reports run in The New York Times (December 1995-December 1996) show several opportunities where mediation might have led to a peaceful resolution. The building's owner tried to arrange meetings but key participants would not attend.
Four months after the violence, Freddy's remains closed, a steel door barring entry, decorated with tributes--poems, photographs, and candles dedicated to those who died there. According to his lawyer, Shange's new lease could not have been "arrived at or done without the cooperation of Mr. Harari." Why couldn't this have been done, with the help of a mediator, on time?
The tragic events at Freddy's show Harlem at a crossroads, with visions for its future uncertain, residents at odds with merchants and merchants at odds with one another, some clinging to long-established businesses, others new, fresh contenders for the consumer's dollar. Some still recall the days when African Americans were denied jobs in stores that thrived on their purchases. Battles were waged then, in the 1 930s, and boycotts gradually generated job opportunities for Harlem residents. In the I990s, on 125th Street, though, the cry now was not for jobs but rather for black ownership:” Buy Black!” and “Support the Black Community!” were the slogans.
Against this background, Harlem residents hold uncertain expectations for the future. While the Freddy's attack was obviously racist, problems of economic growth and development-and who is in charge and who profits-also loom large. The descent of Harlem into poverty and misery provides another subtext for this story. Problems of social inequality threaten the fabric of Harlem society, fueled by record-level joblessness.
Remedies such as education, employment, social support, and economic development incentives require state and national backing. Yet local action remains essential. At least part of it must involve "conflict resolution." Without a means to effectively confront differences, particularly over commercial interests, Harlem will not likely begin to grow again.
Mediation was missing in December 1995. We need it all the more today, not only for individual, retail, and commercial disputes but for planning and policy decisions as well.
During hard economic times, when residents struggle with job insecurity and declining wages,  citizen frustrations -- according to Harvard Professor William Julius Wilson -- must be channeled in constructive directions. More than ever before, Wilson believes we need a vision of interracial unity that acknowledges distinctly racial problems but also recognizes common problems that should be addressed with common solutions.
On December 23,1995, Sikhulu Shange issued a statement expressing his grief for the dead, and pleading for help in resurrecting his business:
“Please God, in this season of peace and good will, help me find justice and a fair solution... Help us all learn from this tragic act of madness that will haunt me forever ... Help me rebuild and show that Harlem ... can work out its problems.”
For the survivors of those who died, and for the greater Harlem community, can something positive come from this tragedy? If so, then it rests with those who have devoted their lives and fortunes to commerce on 125th Street, from the Rosens and Hararis to the Baynes and Shanges-who collectively have more than a century invested there. Harlem's civic growth and economic revitalization depends upon its ability to build community and commerce amidst constant change and diversity. Mediation can help Harlem adapt to this change, and deal with these differences.